Sunday, 14 June 2009

Reasons I have chosen to represent stations as I have...






I have chosen to represent Radio 1 using bright,vibrant colours to reflect its listeners primarily;pink and orange.The circle that appears around the number one has always been used in BBC idents and so holds traditional meaning.
The rings that appear to contract and then expand have been used for decades to represent the transmitting of airwaves...
For Radio 3,I have stuck with my original composition,with a few changes to camera movement making it smoother.The main changes I have made are that I've made it alot more dramatic with the background lighting.I have also included a parque floor to represent a more theatrical feel and stage lighting to produce the same effect.Classical music is often dramatic and dark and as Radio 3 also covers the Arts,including theatre,I feel these additions are highly appropriate.The symbols I have chosen to use are to reflect music notes as they might appear on a score sheet

What appeals to the listeners of the different stations

I strongly believe that each of the BBC radio stations have different listeners.
For example,Radio 1 has a young and vibrant audience who are mostly between the ages of 16-35.They're into House music and Hip-Hop and current Pop.They're definetley youth based and vibrant.
Radio 2 has a slightly more sophisticated and more mature listener.It has shows like Terry Wogan's morning wake-up and Alan Titchmarsh's Melodies for You,although it does diversify with Chris Evans and Dermot O'Leary.A station for the mid-thirties to 50s.
Radio 3 has a different range of listeners altogether.It focuses on the Arts,Culture and Media and Classical.A much more high-brow demographic.

Friday, 12 June 2009

A history of BBC idents...











The original BBC Television Service launched in November 1936, was taken off the air at the outbreak of war in September 1939, returning in June 1946. As the only public television service in Britain, and initially in the world, there was no need for a station ident in the early days. However, with the imminent arrival of commercial television in Britain, 2 December 1953 saw the arrival of the first ident, nicknamed the 'Bat's Wings'. This was an elaborate mechanical contraption constructed by Abram Games, which featured a tiny spinning globe in the centre, surrounded by two spinning "eyes", with lightning flashes to either side. Unlike later idents, this was filmed, rather than live. The model was temperamental, and broke down shortly after it was filmed. By the early 1960s the "Bat's Wings" had been superseded by the "BBC tv" logo within a circle, beneath which would appear a map of Britain split into the BBC's broadcast regions. The channel's most famous emblem, the globe, appeared in its first guise on 30 September 1963. The first such ident featured the continuity announcer speaking over a rotating globe while a "BBC tv" caption would appear with the announcement, "This is BBC Television" being made.
The launch of sister channel BBC2 saw the channel renamed BBC1 on 20 April 1964, although the name was not changed on-screen until the introduction of the "watch-strap" globe in 1966. The reason the change was delayed was due to coverage of BBC2 being limited; BBC1 remained BBC tv in the meantime.
On 15 November 1969, BBC1 began transmitting in colour, and introduced the first version of the "mirror globe" ident (this style was often used within Monty Python's Flying Circus). The inclusion of the word "colour" in the station ident could be viewed as a subtle reminder to the vast majority of viewers, still watching in black and white, to buy a colour TV set and the much more expensive colour television licence which financed the BBC. The "mirror globe" ident was revised in 1972 to use a more ornate font, from the mid-1970s to mid-1980s the BBC1 ident comprised various fonts reading 'BBC1' below variations on the mirror globe, with a deep blue background. The idents were generated by the Nexus Orthicon Display Device, or NODD for short, which worked by filming an image in black and white and electronically adding colour before the image was aired. This made it very easy for technical crew to manipulate the colours of the image for whatever reason (like a logo revamp) and meant black and white cameras could easily swing to photograph a different picture with the touch of a button. This particular ident was revised for the second series of Life on Mars
By 1985, computer graphics technology had progressed sufficiently that on 18 February the mechanical mirror globe was retired in favour of the new "Computer Originated World", or 'COW', which showed a semi-transparent blue globe with golden continents and gold "BBC1". It was created by the BBC graphics and computer departments with work starting on it in 1983. The globe was originally planned to launch on 1 January 1985 but was delayed until 18 February that year by the then controller of BBC One, Michael Grade, in order to make part of a new look for the channel as ratings began to slide. From start-up until 6:00pm that evening, the older 'NODD' mirror globe was used. From 7:00pm until closedown that night, the newer 'COW' globe was used. The first ever programme to be introduced by this new globe was Wogan, a chat show presented by Terry Wogan.
The Computer Originated World was replaced on 16 February 1991 by a new 'Virtual globe', designed by the Lambie-Nairn branding agency who had first made an impact with Channel 4's original 1982 ident. The idents which were computer generated and had no soundtrack consisted of a figure '1' inside a rotating transparent globe surrounded by a swirling smokey atmosphere above the BBC's corporate logo – the bold italic letters B B C within three rhomboids, above blue red and green flashes. The idents were "unveiled" on that week's Going Live!, the Saturday morning magazine show on Children's BBC at the time, by Philip Schofield and Sarah Greene, although the globe already officially debuted before then.
On 4 October 1997 the globe was dramatically updated when it left the computer to take the form of a hot-air balloon filmed over various landmarks throughout the UK (and occasionally in other countries e.g. over Sydney Harbour during the 2000 Summer Olympics). The idents featured the new name of the channel: BBC One, renaming which continued across the rest of the BBC's channels. Over the next two and a half years, no fewer than 59 different variations of the BBC One balloon ident were produced. From June 2000, the URL of BBC Online, later bbc.co.uk was included in all BBC One and BBC Two idents.
A change in controller at BBC One saw the balloon globe icon become the shortest-lived ident package of the colour television era. After 39 years, the globe style was replaced on 29 March 2002 by new idents featuring a new mutlicultural theme. The relaunch also saw a new logo for the channel based upon that of BBC Two, though the logo was instead the BBC logo and the word 'ONE' below it within a red box. The box style later became a common style for the BBC's channels.
The new idents were collaboratively called the 'Rhythm and Movement' idents and featured dancers at various locations dancing to different musical styles. These proved to be hugely unpopular, some accused the BBC of being politically correct regarding some of the dancers involved: disabled dancers in wheelchairs on a basketball court, while fans of the globe and traditionalists were dismayed that the longstanding motif had left the BBC after 39 years. This was also the first new presentation package not to include a clock though one had been designed — it had become difficult to transmit the time accurately, given the delay introduced by satellites and digital transmission.
After four years, the idents were replaced themselves by a new set introduced on 7 October 2006, abandoning the overtly red colour scheme yet retaining the colour slightly less obviously as the main colour. The relaunch brought about a new channel logo once more with the box replaced in favour of a lowercase name, effectively appearing as "BBC one".
A circle motif now features as the main theme of the idents, while the content is much more diverse than previous: swimming hippos, motorcycle stunt riders, children playing "ring a roses", lit windows, surfers, football players, the moon as well as kites. The first of the new idents shown was 'Kites', appearing at 10:00 BST on 7 October. According to former channel controller Peter Fincham, the new circle motif is both a 'nod' to the channel's heritage as well as a symbol of people coming together, in the way the channel brings people together. On 2nd May 2009, the circle idents were edited with shorter video sequences and new soundtracks.

Wednesday, 10 June 2009

Wednesday, 20 May 2009

Radio Stations



TV Idents.

My new project is to design a series of tv idents for BBC radio stations.
Here are some examples of existing idents...

Friday, 8 May 2009









History of 'Fly me to the Moon'.

Fly me to the Moon was written in 1954 by Bart Howard.It was originally titled 'In other words',but it took a few years for the publishers to officially change the name.It has been recorded by a great many different artists over the years including;Nat King Cole,Dorris Day,Jonny Mathis,Tony Bennett and Frank Sinatra.
There have been international versions of the song,including German,Spanish and Italian.Julie London's version was recorded in 1963 and featured the piano intro for the first time.Sinatra's version is probably the most famous but I like Julie London's on account of her smokey vocal tone.
It was used for the opening title sequence of Oliver Stone's 1987 'Wall Street' and also appears in the closing moments and end titles of Clint Eastwood's 2000 film 'Space Cowboys'.
It is hard to say what inspired the lyrics,except they were conceived in an era that was obsessed with science fiction and the American-Soviet 'Race to the Moon'.The general public was fascinated with futuristic concepts and ideas as illustrated by the numerous science fiction movies and design of everything from cars to office spaces
There are other videos posted on YouTube to accompany the song,but they are at best weak.
I intend to produce a piece that somehow captures the essence of the period and is eye-catching and engaging.

Monday, 27 April 2009

Rocket Man

This is a model of a 50ish space rocket also created in Cinema 4D..

Thursday, 16 April 2009

Model of Jupiter

This is a model of Jupiter I created in Cinema 4D...

Monday, 23 March 2009

FINAL PROJECT...





I've chosen to design a music video to accompany the song 'Fly me to the Moon' by Julie London.
I plan on using alot of cosmic imagery,so this means for the moment just scouring YouTube for related subject matter.I'm not really sure how I'm going to animate the sequence for the moment,I'll just have to see where the research takes me...

Tuesday, 10 February 2009

Some other examples of 70s typography







Revisiting the type in motion brief...










Here are some typical seventies images ranging from fashion to music to hotels...